A bee-eye wash lives or dies on how it moves as a field, not just as a single beam. The K7 is built for that — 19×15W 4-in-1 cells driven independently across X and Y axes, each with its own linear speed control, so a matrix wash can ripple, chase, and shift as one coordinated surface instead of a single point of light.

A self-recovery closed-loop system holds ≥540° of pan and ≥270° of tilt precisely in place, correcting drift automatically so a rig of K7s stays in formation show after show. RGB 256×256×256-level color mixing gives near-infinite gradation across the field, with ±10–100% linear electronic dimming and a five-mode strobe library — regular, lightning, random, sudden-dark-gradual-bright, and sudden-bright-gradual-dark — for texture that ranges from a soft pulse to a hard hit.

16-channel DMX512 control, master-slave synchronization, and self-propelled sound-active modes give operators full command over single fixtures or entire banks at once, with closed-light positioning and programmable forward/reverse axis control down to the individual unit. Compact at 7.5kg, the K7 is built to move as a system — precise enough to trust across a full wall of them.